{"id":586,"date":"2017-08-30T15:10:03","date_gmt":"2017-08-30T15:10:03","guid":{"rendered":"http:\/\/beta.warrenlehrer.com\/?p=586"},"modified":"2017-09-28T08:02:09","modified_gmt":"2017-09-28T08:02:09","slug":"emigre-12-1989","status":"publish","type":"post","link":"https:\/\/warrenlehrer.com\/emigre-12-1989\/","title":{"rendered":"emigre 12, 1989"},"content":{"rendered":"

\"\"<\/p>\n

Emigr\u00e9 12, Press Time<\/strong> 1989, Eight page visual essay written and designed by Warren Lehrer<\/strong> and Philip Zimmermann<\/strong>. This issue of Emigre Magazine<\/em> was devoted \u201cto the art of pre-press and printing, featuring the work of graphic designers who utilize these disciplines as an integral part of the design process.\u201d The issue included visual essays and poster designs by Allen Hori, Rudy VanderLans, and Warren Lehrer and Phil Zimmermann. It also included an essay by Ed McDonald about the life and work of H.N. Werkman, and a letterpress printed insert by Julie Holcomb.<\/p>\n

Lehrer and Zimmermann\u2019s essay and poster discusses the process of working in a fluid, hands-on approach to writing\/designing and printing. It equates the mix of oil and water, and rotation of inky rollers inherent to offset lithography\u2014to basic elements of nature, and to the revolution of the earth on its axis and orbit around the sun. It also compared Lehrer\u2019s process working in the light of day with Zimmermann\u2019s process (at the time) working in the darkroom.
\nSold Out<\/strong>. You might be able to find collectors somewhere.<\/em><\/p>\n


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sample pages, page spreads, details<\/p>\n

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For the cover, Rudy VanderLans \u201crandomly overprinted several of the inside signatures.\u201d<\/em><\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Emigr\u00e9 12, Press Time 1989, Eight page visual essay written and designed by Warren Lehrer and Philip Zimmermann. This issue of Emigre Magazine was devoted \u201cto the art of pre-press and printing, featuring the work of graphic designers who utilize these disciplines as an integral part of the design process.\u201d The issue included visual essays […]<\/p>\n","protected":false},"author":3,"featured_media":587,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"acf":[],"yoast_head":"\nemigre 12, 1989 - Warren Lehrer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/warrenlehrer.com\/emigre-12-1989\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"emigre 12, 1989 - Warren Lehrer\" \/>\n<meta property=\"og:description\" content=\"Emigr\u00e9 12, Press Time 1989, Eight page visual essay written and designed by Warren Lehrer and Philip Zimmermann. 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